Buddha
images are generally found in four positions or stances: a seated
position, a standing position, a walking position and a reclining
position. Therefore when we describe the position of a Buddha
image, we may call it a seated Buddha image, a standing Buddha
image, a walking Buddha image or a reclining Buddha image.
In each position
there are variations of gesture or attitude. Each attitude is
related to a period in
the life of the Lord Buddha. The most common
attitude of a seated Buddha image is the attitude of subduing
Mara. In this attitude the Buddha is seated with the legs crossed,
the right hand is on the right knee with the four fingers pointing
to the ground, while the left hand rests in the lap. This is
also known as the attitude of calling the Goddess of the Earth
to witness. This is related to the time when the Lord Buddha
was about to attain his enlightenment. He was attacked by Mara
(a personification of evil) and his army. The Lord Buddha summoned
the Goddess of the Earth to witness the attack and to save him
by pointing the four fingers of the right hand to the ground.
Th
e Goddess of the Earth emerged and saved
him by wringing the water of merit from her hair to drown Mara
and his army. In this way Mara was subdued. Thus this attitude
is known as subduing Mara.
Another common attitude
is that of meditation showing the Lord Buddha in meditation when
he attains enlightenment. This attitude shows the Lord Buddha
seated with his legs crossed. The two hands are folded in the
lap with the palm of the right hand facing upward.
Sometimes we see
a Buddha image in the attitude of meditation under the protection
of a nine-headed or seven-headed naga. This attitude is related
to the time when a naga named Mujarin spread its hood to protect
the Lord Buddha from a rainstorm while he was meditating under
the Mujarin tree. A Buddha image made in this way is usually
called a seated Buddha image under the cover of a multi-headed
naga.
Standing Buddha
images are also found in various attitudes. For example, a standing
Buddha image with the right hand lifted to chest le
vel and
the left hand resting at the side is called the attitude of persuading
his relatives not to quarrel or the attitude of pacifying his
relatives. The story goes like this. While the Lord Buddha was
staying at a place by the Rohinee River, the relatives of his
father were quarreling with those of his mother about the water
to irrigate their rice-fields. The Lord Buddha pointed out to
them that men were move valuable than water. Therefore it is
not worth killing men just for water. Realizing this the relatives
stopped quarreling.
A standing Buddha
image with the left hand raised and the right hand resting at
the side is known as the attitude of restraining the Phra Kaen
Chan from rising from its seat or the attitude of urging the
sandal wood image not to rise from its seat. This is how the
story goes. When the Lord Buddha paid a visit to his mother for
three months on Tavatimsa, the second level of heaven, a king
named Pasentikosol, who was missing the Lord Buddha, had a Buddha
image carved from sandalwood and had it placed in the residence
where the Lord Buddha used to stay. When the Lord Buddha returned
from Tavatimsa. The king requested the Lord Buddha to have a
look at the sandalwood image, which rose from its seats to pay
homage to the Lord Buddha. He urged the image not to rise from
its seat by lifting his left hand in the gesture of restraining.
A standing Buddha
image with both hands raised to chest level is known as the attitude
of calming the ocean the pacifying the ocean. The Lord Buddha
performed a miracle by stopping a rainstorm and flooding in the
presence of the three arrogant hermits. Having seen the miracle,
they submitted to the Lord Buddha and listened to his sermon.
The three hermits and their 1,000 followers were so impressed
with the preaching that they were willingly ordained as monks.
Information from:
"English for Tourist Guides - 1" by Lertporn Parasakul.
All the pictures are copyright PanritDaoruang.